“THE TRANSITION FROM DICTATORSHIP TO DEMOCRACY CORRESPONDS TO THE IMAGE THAT DISAPPEARS IN THE PRINTMAKING PROCESSES (ETCHING) AND THEN REAPPEARS (PRINTED ON THE PAPER). MY WORK CALLS TO THE NEED FOR A SEARCH FOR JUSTICE AND TRUTH, WHICH BY NO MEANS IS FINITE OR TERMINAL, BUT RATHER AN INITIATIVE THAT EXISTS IN AND WITH TIME."
MEMORY AND LANDSCAPE: UNVEILING THE HISTORIC TRHUTH OF CHILE [2013-2015]
Medium: dry point aquatint etchings, wood blocks, silkscreen, charcoal powder, ink + video
Dimensions: 10 in H x 7 in W x 1 in D (closed) / opens to 6 ft
Binding Type: double accordion, hand sewn, coptic binding inside of a clam shell box
Size: Two editions: 1st Ed. of 10 + 2AP (2013)/ 2nd Ed of 20 (2015)
Collections: Museum of Memory and Human Rights, Chile; Centre Pompidou, Bibliothèque Kandinsky, FRANCE; Klingspor Museum, GERMANY ; Harvard University Art Library, MA; Library of Congress, DC; Stanford University Libraries, CA; Trinity College, CT; Yale University; Robert B. Haas Family Arts Library, CT; Musuem Meermanno, ND, among other 30 collections.
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”Memory and Landscape: Unveiling the Historical Truths of Chile” is a book about the disappearance and murder of people in Chile during the dictatorship of Augusto Pinochet. Human rights violations are represented in the book through etching techniques and the print act in itself by building an alternative visual medium to indicate the injustices committed in between 1973-1990.
